Paris, France: No publisher, 1978. First Edition. Unbound. Quarto (4to). A hand letterpress book, with original text and a facsimile-style printing of the text of the 5th Sonnet of an early French edition of Petrarch. The third line of this sonnet reads "Le laurier digne..." which has been printed to..... More

San Francisco, CA: Pocket Presse, 1937. First Edition. Unbound. 24mo - over 5" - 5¾" tall. [viii] pages. Two color type; red & black. Title page illustrated. Un-numbered and unbound (long-stitched/hand sewn) copy printed by Jackson Burke, limited to 15 copies. Two pages have creases at corners, and last page..... More

Chicago: Caxton Club, 1958. First Edition. Hardcover. 12mo - over 6¾" - 7¾" tall. 109 pages of text. Blue hardcover cloth binding with minimal shelfwear. No dustjacket. Limited to 350 copies printed. The text is clean and unmarked. Printed by the Lakeside Press, R. R. Donnelley & Sons Co. First..... More

Seattle: Day Moon Press, 1990. First Edition. Hardcover. Oblong 12mo. 30 pages. Original hardcover blue binding with inset front cover illustration and printed paper spine label; protected in custom stiff archival mylar. There are a few tiny spots of minor discoloration to the binding. Limited to 100 copies, of which..... More

Chicago: Pascal Covici, 1927. First Edition. Hardcover. Quarto (4to). 52 pages of text. Original black hardcover binding is heavily rubbed at the extremities, with the spine torn, worn and frayed, remaining intact and attractive; protected in custom stiff archival mylar. Of this edition there have been printed for Pascal Covici..... More

Waltham Saint Lawrence, Berkshire, Great Britain: Golden Cockerel Press, 1925. First Edition. Hardcover. Octavo (8vo). 44 pages of text. Original leather spine with blue paper-covered boards; minor browing and a few spots of soiling to the boards; protected in archival mylar. Number 134 of 370 copies in this limited edition..... More

Cedar Rapids, IA: Torch Press, 1958. First thus edition. Hardcover. Octavo (8vo). 52 pages of text; "now leniently translated by J. Christian Bay." Includes printed holiday insert which originally accompanied book when distributed. Hardcover; top-edge of binding is slightly sunned; in almost new condition. Glassene wrapper is chipped at top-edge..... More

East Aurora, NY: Roycrofters, 1905. First Edition. Hardcover. Octavo (8vo). [x], 113 pages. The original binding has failed, with both boards detached and the top and bottom of the spine chipped. The interior of the book remains in near fine condition. Perfect candidate for a rebinding. Number 76 of 100..... More

Chicago, IL: Cherryburn Press, 1981. First Edition. Hardcover. Octavo (8vo). 16 pages of text. Handbound with a brown cloth spine with printed paper label, and decorative paper-covered boards. Printed by the Cherryburn Press [Chicago, IL] by Robert Hunter Middleton (1898-1985). The text is clean and unmarked. First edition. More

London: C. Elkin Mathews at the Sign of the Bodley Head, 1889. First Edition. Hardcover. 12mo - over 6¾" - 7¾" tall. 89 pages of text, plus publisher's imprint and advertisement (91 total). Preceded by a half-title page, title page, and eight un-numbered pages, containing a dedication, contents page, and..... More

New York: The Typophiles, 1997. First Edition. Hardcover. 12mo - over 6¾" - 7¾" tall. xiv, 95 pages of text. Original hardcover binding in almost new condition. Illustrated with a frontis photo. 500 copies published. The text is clean and unmarked. First edition. More

Detroit, MI: Cranbrook Press, 1902. First Edition. Hardcover. Books about books; fine printing; 72 pages; 28.3cm; 3/4 vellum binding; most pages uncut; plain brown paper dust wrapper torn; translator Gilbert Burnet 1643-1715; 1 of 210; reprint of 1726 edition. Printed by Robert and Andrew Foulis; box cracked, 1 edge, ties..... More

Chicago, IL: Caxton Club, 1953. First Edition. Hardcover. Octavo (8vo). 71 pages of text. Original hardcover binding with tan linen spine and blue paper-covered boards. The spine is moderately darkened, and the binding is moderately rubbed and shelfworn; protected in custom-fitted archival mylar. Printed on thick handmade paper, which is..... More